VENUE CHANGE
Due to size considerations this event will now be held at The Ukrainian Institute of America which is located at 2 East 79th Street
In the former United States, sixteen-year-old Noam Álvaro wakes up in a hospital bed, the sole survivor of the viral magic that killed his family and made him a technopath. His ability to control technology attracts the attention of the minister of defense and thrusts him into the magical elite of the nation of Carolinia.
The son of undocumented immigrants, Noam has spent his life fighting for the rights of refugees fleeing magical outbreaks—refugees Carolinia routinely deports with vicious efficiency. Sensing a way to make change, Noam accepts the minister’s offer to teach him the science behind his magic, secretly planning to use it against the government. But then he meets the minister’s son—cruel, dangerous, and achingly beautiful—and the way forward becomes less clear.
Caught between his purpose and his heart, Noam must decide who he can trust and how far he’s willing to go in pursuit of the greater good
For families, art lovers, and history buffs alike, Leonard S. Marcus’s visual history tour of 100 years of children’s book illustration gathers in one glorious volume the posters of the annual Children’s Book Week!
Featuring work from early luminaries such as N. C. Wyeth and Marcia Brown to more contemporary illustrators like David Wiesner, Mary GrandPré, Christian Robinson, and Jillian Tamaki, this beautiful collection showcases the conceptual and iconic images that have defined children’s books for generations of young readers.
While the posters within these pages are linked in their resounding advocacy for young people’s literacy, they are distinguished by the styles and mediums of their creators and by the historical, social, and cultural influences of their times. Renowned historian Leonard S. Marcus traces these developments in the children’s book field with incisive descriptions to accompany each poster.
Exquisite and nuanced in its storytelling, Midnight crafts intimate, humanizing portraits of Jane Austen, Mary Shelley, and Joan of Arc that ask us to behold the women behind the icons.
Midnight is a study in the courage of three women—Jane Austen, Mary Shelley, and Joan of Arc. Jane Austen was poor in 1802, unmarried and homeless. She had outlines, ideas, and first drafts of her future novels but no place to sit and write them. It is at this bleak moment that she receives an offer of marriage from a rich man. Midnight takes us to the hour of her decision between financial security and her writing life.
When sixteen-year-old Mary Godwin elopes to France with the poet Percy Bysshe Shelley, she scoffs at the cost—life as an outcast. Together they travel through Europe, reading and writing, but Midnight finds her alone, eight years later, pacing a terrace overlooking the Italian shore, watching for Shelley to sail home over stormy seas in a shaky boat.
Joan of Arc, imprisoned in chains, kept her faith for a long year. Be brave, daughter of God, her saints had whispered, you will be saved—and she believes it, until she is taken to be burned at the stake. Midnight is the story of Joan’s final days, between her terrified recantation and her heroic return to the stake.
The delightful new romantic comedy from Elinor Lipman, in which one woman’s trash becomes another woman’s treasure, with deliriously entertaining results. Daphne Maritch doesn’t quite know what to make of the heavily annotated high school yearbook she inherits from her mother, who held this relic dear. Too dear. The late June Winter Maritch was the teacher to whom the class of ’68 had dedicated its yearbook, and in turn she went on to attend every reunion, scribbling notes and observations after each one—not always charitably—and noting who overstepped boundaries of many kinds.
In a fit of decluttering (the yearbook did not, Daphne concluded, “spark joy”), she discards it when she moves to a small New York City apartment. But when it’s found in the recycling bin by a busybody neighbor/documentary filmmaker, the yearbook’s mysteries—not to mention her own family’s—take on a whole new urgency, and Daphne finds herself entangled in a series of events both poignant and absurd.
“Great American Desert is a devious and extraordinary new collection of stories from one of our best writers, Terese Svoboda. A kaleidoscopic tour through the Plains that spans decades and beautifully fuses the tonal worlds of comedy, horror, history, and myth. Svoboda is sexy, funny, frighteningly intelligent, and sublimely attuned to the hum of ancient water running underneath our thirsty world.” —Karen Russell
“Terese Svoboda has brought a poet’s lyrical intensity and factual density to prose fiction and writes like no one else.”
—Tom McGuane
Terese Svoboda will be introduced by author Kurt Andersen.
The Comma Queen returns with a buoyant book about language, love, and the wine-dark sea.
In her New York Times bestseller Between You & Me, Mary Norris delighted readers with her irreverent tales of pencils and punctuation in The New Yorker’s celebrated copy department. In Greek to Me, she delivers another wise and funny paean to the art of self-expression, this time filtered through her greatest passion: all things Greek.
Greek to Me is a charming account of Norris’s lifelong love affair with words and her solo adventures in the land of olive trees and ouzo. Along the way, Norris explains how the alphabet originated in Greece, makes the case for Athena as a feminist icon, goes searching for the fabled Baths of Aphrodite, and reveals the surprising ways Greek helped form English. Filled with Norris’s memorable encounters with Greek words, Greek gods, Greek wine—and more than a few Greek men—Greek to Me is the Comma Queen’s fresh take on Greece and the exotic yet strangely familiar language that so deeply influences our own.
For readers of Elin Hilderbrand, Susannah Marren’s A Palm Beach Wife is a delicious and irresistible novel set among the high society galas and gossip of Palm Beach.
Amid the glamour and galas and parties of Palm Beach, Faith knows that image often counts as much if not more than reality. She glides effortlessly among the highest of the high society so perfectly that you would never suspect she wasn’t born to this. But it wasn’t always so; though she hides it well, Faith has fought hard for the wonderful life she has, for her loving, successful husband, for her daughter’s future.
In this town of secrets and gossip and rumors, Faith has kept a desperate grip on everything she holds so dear, built from so little. And yet even she—the only one who knows just how far she has to fall—never suspects from which direction, or how many directions all at once, betrayal will come.
Eleven-year-old Carolina’s summer–and life as she knows it–is upended when Papi loses his job, and she and her family must move from Puerto Rico to her Tía Cuca and Uncle Porter’s house in upstate New York. Now Carolina must attend Silver Meadows camp, where her bossy older cousin Gabriela rules the social scene. Just as Carolina worries she’ll have to spend the entire summer in Gabriela’s shadow, she makes a friend of her own in Jennifer, a fellow artist. Carolina gets another welcome surprise when she stumbles upon a long-abandoned cottage in the woods near the campsite and immediately sees its potential as a creative haven for making art. There, with Jennifer, Carolina begins to reclaim the parts of the life she loved in Puerto Rico and forget about how her relationship with Mami has changed and how distant Papi has become. But when the future of Silver Meadows and the cottage is thrown into jeopardy, Carolina and–to everyone’s surprise–Gabriela come up with a plan to save them. Will it work?
