The Corner Bookstore

My World In Fifty Words is written with the hope that it takes you for a ride around the world as seen through my eyes, where you get to enjoy the multicultural immersions that come with it. It chronicles a personal journey from childhood to today, and serves as a canvas to express my thoughts, emotions and observations.

Govind is a sophomore at Trinity School in New York. He is also the founder of a non-profit organization: Youth Against Sexual Assault (YASA) . Govind has attended Oxford and Cambridge Universities in the summers of 2014 and 2015 studying Economics and Computer Science. He is deeply interested in studying the classics and is focused on Latin and Sanskrit. Govind is learning classical Indian Carnatic music and Shaolin Kung Fu. He is also a contributing writer to Opus Media, one of UK’s leading publishing and media companies. In his spare time, he writes spiritual poetry and works on Carnatic/jazz fusion music.

The Suffragents is the untold story of how some of New York’s most powerful men formed the Men’s League for Woman Suffrage, which grew between 1909 and 1917 from 150 founding members into a force of thousands across thirty-five states. Brooke Kroeger explores the formation of the League and the men who instigated it to involve themselves with the suffrage campaign, what they did at the behest of the movement’s female leadership, and why. She details the National American Woman Suffrage Association’s strategic decision to accept their organized help and then to deploy these influential new allies as suffrage foot soldiers, a role they accepted with uncommon grace. Led by such luminaries as Oswald Garrison Villard, John Dewey, Max Eastman, Rabbi Stephen S. Wise, and George Foster Peabody, members of the League worked the streets, the stage, the press, and the legislative and executive branches of government. In the process, they helped convince waffling politicians, a dismissive public, and a largely hostile press to support the women’s demand. Together, they swayed the course of history.

I viewed the consumptive nature of love as a threat to serious women. But the wonderful man I just married believes as I do—work is paramount, absolutely no children—and now love seems to me quite marvelous.

These words are spoken to a rapturous audience by Joan Ashby, a brilliant and intense literary sensation acclaimed for her explosively dark and singular stories.

When Joan finds herself unexpectedly pregnant, she is stunned by Martin’s delight, his instant betrayal of their pact. She makes a fateful, selfless decision then, to embrace her unintentional family. Challenged by raising two precocious sons, it is decades before she finally completes her masterpiece novel. Poised to reclaim the spotlight, to resume the intended life she gave up for love, a betrayal of Shakespearean proportion forces her to question every choice she has made.

Epic, propulsive, incredibly ambitious, and dazzlingly written, The Resurrection of Joan Ashby is a story about sacrifice and motherhood, the burdens of expectation and genius. Cherise Wolas’s gorgeous debut introduces an indelible heroine candid about her struggles and unapologetic in her ambition.

Lily Tuck’s critically lauded, bestselling I Married You for Happiness was hailed by the Boston Globe as “an artfully crafted still life of one couple’s marriage.” In her singular new novel Sisters, Tuck gives a very different portrait of marital life, exposing the intricacies and scandals of a new marriage sprung from betrayal. Tuck’s unnamed narrator lives with her new husband, his two teenagers, and the unbanishable presence of his first wife—known only as she. Obsessed with her, our narrator moves through her days presided over by the all-too-real ghost of the first marriage, fantasizing about how the first wife lives her life. Will the narrator ever equal she intellectually, or ever forget the betrayal that lies between them? And what of the secrets between her husband and she, from which the narrator is excluded? The daring and precise buildup to an eerily wonderful conclusion is a triumph of subtlety and surprise.

Lily Tuck will be in conversation with her editor, Elisabeth Schmitz

Sam James has spent years carefully crafting her reputation as the best psychologist at Typhlos, Manhattan’s most challenging psychiatric institution. She believes if she can’t save herself, she’ll save someone else. It’s this savior complex that serves her well in helping patients battle their inner demons, though it leads Sam down some dark paths and opens her eyes to her own mental turmoil.

When Richard, a mysterious patient no other therapist wants to treat, is admitted to Typhlos, Sam is determined to unlock his secrets and his psyche. But she can’t figure out why Richard appears to be so normal in a hospital filled with madness. As Sam gets pulled into Richard’s twisted past, she can’t help but analyze her own life, and what she discovers terrifies her. And so the mind games begin. But who is the savior and who is the saved?

In this unexpected and addictive psychological debut, A.F. Brady takes readers into the psyche of a deeply disturbed woman desperately trying to keep her head above water, showing that sometimes what’s most terrifying is what exists in your mind.

Into the life of the author, a novel appears, as if by chance, and changes everything. As a child in a music class where a remarkable teacher watches over a classmate marked for tragedy, the author comes across Willa Cather’s novel, Lucy Gayheart, and is prepared by fiction for an actual death by drowning of someone near her. Later, recently married and living in a newly independent Nigeria, a teacher now herself, she assigns Chinua Achebe’s Things Fall Apart to her students and is instructed by them in the violent legacy of colonialism, and visits an old slave port where she is made aware of her own benighted American innocence. In Nigeria, too, she is given A Portrait of a Lady and deeply ponders her own new marriage through the lens of Isabel Archer’s cautionary fate, remembers her adolescent fear that reading might be a way of avoiding experience. Afterward, spending a year in northern France, she puts Madame Bovary resolutely aside to discover in Bernanos’ Diary of a Country Priest a detailed guide to the town where she is living, the poverty and suffering hidden within its walls. The memoir closes with a tender account of the author’s friendship with the writer Diana Trilling, whose failing sight inspires a plan to read aloud Proust’s masterwork, an undertaking that requires six years to complete. Faced with Diana’s approaching death and the mysteries of her own life, the author wonders whether reading, after all, may not be experience at its most ardent, its most transforming.