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Sam James has spent years carefully crafting her reputation as the best psychologist at Typhlos, Manhattan’s most challenging psychiatric institution. She believes if she can’t save herself, she’ll save someone else. It’s this savior complex that serves her well in helping patients battle their inner demons, though it leads Sam down some dark paths and opens her eyes to her own mental turmoil.

When Richard, a mysterious patient no other therapist wants to treat, is admitted to Typhlos, Sam is determined to unlock his secrets and his psyche. But she can’t figure out why Richard appears to be so normal in a hospital filled with madness. As Sam gets pulled into Richard’s twisted past, she can’t help but analyze her own life, and what she discovers terrifies her. And so the mind games begin. But who is the savior and who is the saved?

In this unexpected and addictive psychological debut, A.F. Brady takes readers into the psyche of a deeply disturbed woman desperately trying to keep her head above water, showing that sometimes what’s most terrifying is what exists in your mind.

Flora Goldwasser has fallen in love. She won’t admit it to anyone, but something about Elijah Huck has pulled her under. When he tells her about the hippie Quaker school he attended in the Hudson Valley called Quare Academy, where he’ll be teaching next year, Flora gives up her tony upper east side prep school for a life on a farm, hoping to woo him. A fish out of water, Flora stands out like a sore thumb in her vintage suits among the tattered tunics and ripped jeans of the rest of the student body. When Elijah doesn’t show up, Flora must make the most of the situation and will ultimately learn more about herself than she ever thought possible.

Told in a series of letters, emails, journal entries and various ephemera, Jenny Fran Davis’ Everything Must Go lays out Flora’s dramatic first year for all to see, embarrassing moments and all.

Discover a gripping and harrowing tale of war and torture from the man who lived it in this powerful memoir by the celebrated war journalist who not only documented over a dozen conflict zones worldwide but was also captured and held hostage by Syrian rebels in 2013.
Capturing history was Jonathan Alpeyrie’s job but he never expected to become a news story himself. For a decade, the French‑American photojournalist had weaved in and out of over a dozen conflict zones. He photographed civilians being chased out of their homes, military trucks roving over bullet‑torn battlefields, and too many bodies to count. But on April 29, 2013, during his third assignment to Syria, Alpeyrie was betrayed by his fixer and handed over to a band of Syrian rebels.
For eighty‑one days he was bound, blindfolded, and beaten. Not too far away, President Bashar al‑Assad’s forces and those in opposition continued their bitter and bloody civil war. Over the course of his captivity, Alpeyrie kept his spirits up and strived to see, without his camera lenses, the humanity in his captors. He took part in their activities, taught them how to swim, prayed with them, and tried learning their language and culture. He also discovered a dormant faith within himself, one that strengthened him throughout the ordeal.

Jonathan Alpeyrie will be in conversation with co-author Stash Luczkiw

Into the life of the author, a novel appears, as if by chance, and changes everything. As a child in a music class where a remarkable teacher watches over a classmate marked for tragedy, the author comes across Willa Cather’s novel, Lucy Gayheart, and is prepared by fiction for an actual death by drowning of someone near her. Later, recently married and living in a newly independent Nigeria, a teacher now herself, she assigns Chinua Achebe’s Things Fall Apart to her students and is instructed by them in the violent legacy of colonialism, and visits an old slave port where she is made aware of her own benighted American innocence. In Nigeria, too, she is given A Portrait of a Lady and deeply ponders her own new marriage through the lens of Isabel Archer’s cautionary fate, remembers her adolescent fear that reading might be a way of avoiding experience. Afterward, spending a year in northern France, she puts Madame Bovary resolutely aside to discover in Bernanos’ Diary of a Country Priest a detailed guide to the town where she is living, the poverty and suffering hidden within its walls. The memoir closes with a tender account of the author’s friendship with the writer Diana Trilling, whose failing sight inspires a plan to read aloud Proust’s masterwork, an undertaking that requires six years to complete. Faced with Diana’s approaching death and the mysteries of her own life, the author wonders whether reading, after all, may not be experience at its most ardent, its most transforming.