Toby loves basking in the morning sun, snuggling in a lap in the afternoon, and toasting his tummy by the fireside at night, but somehow his warm spots never last. What Toby wants more than anything is to find something as warm as the sun that never fades or fizzles.Then one day, Pinkie comes along, and she starts hogging all of Toby’s favorite places. Toby feels alone and forgotten, and slinks away. . . but Pinkie follows him, determined to prove that she is the something as warm as the sun Toby has been looking for all along.From the acclaimed duo of Kate and Jim McMullan, creators of I Stink! and I’m Dirty!, comes this story about two unforgettable French bulldogs–the perfect story for parents bringing home a new sibling.
A successful environmental lawyer is forced to take himself to task when he realizes that everything about his work has betrayed his core beliefs. A high school English teacher asks her former high school love to take up her environmental cause. A transgender adolescent male raised by his grandparents struggles to excel in a world hostile to his kind. A French-Canadian political science professor finds himself left with a choice between his cherished
Rosa Parks, Mia Hamm, Nelson Mandela, and Amelia Earhart were all once adorable babies–and you can meet them (and more) in this follow-up to runaway hit Baby Feminists!
Collecting objects gives enormous pleasure to approximately one third of the population, providing such benefits as intellectual stimulation, the thrill of the chase, and leaving a legacy. On the other hand, the same pursuit can engender pain; for example, paying too much for an object, unknowingly buying a fake, or dealing with the frustrations of collection dispersal. Until recently, there was no objective way to enhance the positive (pleasure) aspects of collecting and minimize the negative (pain). Now, for the first time, scientific research in neuro- and behavioral economics gives us a way to turn this around. The contents of this book are cutting edge, unique and sure to get attention. Mueller breaks new ground in an area not previously explored. Her information is relevant not only for collectors, but also for colleges, and universities which teach collection management, plus museum staff who interact with collectors and dealers of objects desired by collectors. Heavily illustrated with ceramics from Mueller’s collection and packed with useful information, this book will become a required vital resource.
He was famous for reinventing the Broadway musical, creating a vernacular American ballet, pushing the art form to new boundaries where it had never gone before, integrating dance seamlessly with character, story and music, and as Associate Artistic Director, Ballet Master, and Co-Artistic Director, with George Balanchine, shaping the New York City Ballet with daring and brio for more than five decades through his often startling choreography in ballet’s classical idiom. The titanic choreographer, revealed in his own words—the closest we will get to a memoir/autobiography—from his never-before-published letters, journals, and diaries. Amanda Vaill, draws on the vast and closely held Robbins’ archives of his writings to give us a sense of hisrange as a thinker and artist, as well as a revealing glimpse into the mind and heart of this towering cultural giant.
Costanza Ansaldo, a half-Italian and half-American translator, is convinced that she has made peace with her childlessness. A year after the death of her husband, an eminent writer, she returns to the pensione in Florence where she spent many happy times in her youth, and there she meets, first, Andrew Weissman, an acutely sensitive seventeen-year-old, and, soon afterward, his father, Henry Weissman, a charismatic New York physician who specializes in—as it happens—reproductive medicine.With three lives each marked by heartbreak and absence—of a child, a parent, a partner, or a clear sense of identity—What is Missing offers Costanza, Andrew, and Henry the opportunity to make themselves whole when the triangle resumes three months later in New York, where the relationships among them turn and tighten with combustive effects that cut to the core of what it means to be a father, a son, and—for Costanza—a potential mother.
Herman J. (1897-1953) and Joseph L. Mankiewicz (1909-1993) wrote, produced, and directed over 150 pictures. With Orson Welles, Herman wrote the screenplay for Citizen Kane and shared the picture’s only Academy Award. Joe earned the second pair of his four Oscars for writing and directing All About Eve, which also won Best Picture. Despite triumphs as diverse as Monkey Business and Cleopatra and Pride of the Yankees and Guys and Dolls, the witty, intellectual brothers spent their Hollywood years deeply discontented and yearning for what they did not have–a career in New York theater. For this first dual portrait of the Mankiewicz brothers, Sydney Ladensohn Stern draws on interviews, letters, diaries, and other documents still in private hands to provide a uniquely intimate behind-the-scenes chronicle of the lives, loves, work, and relationship between these complex men.
A worm who lives on words, Wally finds himself starved for inspiration . . . until the day he slithers into a magical book: the dictionary. From this moment, he embarks upon a logomaniacal odyssey of epic proportions, munching on the likes of “eft” and “escalator,” “ptarmigan” and “sesquipedalian.” From Wally the Wordworm’s first publication in 1964, children and adults alike have been delighted by Wally’s wriggling through rhymes and words of increasing difficulty and complexity, his acrobatics whimsically illustrated by The New Yorker cartoonist Arnold Roth.
Solovetsky occupies the island site of a former monastery in the White Sea. Here, hundreds of miles from civilization, and with a skeleton crew of secret-policemen in charge, some prisoners are consigned to all kinds of forced labor and others sit at comfortable desks in administrative or cultural positions. With the brutal winter fast approaching, Tolya Bogomolov, a young mathematician serving a three-year sentence, hopes an acquaintance he’s been cultivating will lead to a less brutal work assignment, maybe even a little more bread in his ration. Knowing Gennady Antonov holds a privileged position restoring the monks’ seized collection of icons ought to improve Tolya’s odds of reassignment. But when Antonov’s body is discovered floating frozen in the bay, their connection turns dangerous. At first the authorities question Tolya, but then he’s mystified when they assign him to assist the elderly detective investigating the case—but better to find the real killer than have the murder pinned on him. Digging into Antonov’s secrets turns up strange expropriations of the museum’s icons, rumors of an escape conspiracy among White Army officers, and an illicit affair with a female prisoner who won’t tell all she knows. To avoid becoming the murderer’s next victim, Tolya must defy Solovetsky’s unforgiving regime and make ruthless use of his fellow prisoners. Putting his story to paper at last means reckoning the true cost of his survival.