Sink or swim. Or at least that’s what Annette Feldman tells herself when she books a cruise for her entire family. It’s been over a decade since the Feldman clan has spent more than twenty-four hours under the same roof, but Annette is determined to celebrate her seventieth birthday the right way. Just this once, they are going to behave like an actual family.
Too bad her kids didn’t get the memo.
Between the troublesome family secrets, old sibling rivalries, and her two teenage grandkids, Annette’s birthday vacation is looking more and more like the perfect storm. Adrift together on the open seas, the Feldmans will each face the truths they’ve been ignoring—and learn that the people they once thought most likely to sink them are actually the ones who help them stay afloat.
At age thirty-three, Penelope “Pepper” Bradford has no career, no passion and no children. Her intrusive parents still treat her like a child. Moving into the Chelmsford Arms with her fiancé Rick, an up-and-coming financier, and joining the co-op board give her some control over her life—until her parents take a gut dislike to Rick and urge Pepper to call off the wedding. When, the week before the wedding, she glimpses a trail of desperate text messages from Rick’s obsessed female client, Pepper realizes that her parents might be right. She looks to her older neighbors in the building to help decide whether to stay with Rick, not realizing that their marriages are in crisis, too. Birdie and George’s bond frays after George is forced into retirement at sixty-two. And Francis alienates Carol, his wife of fifty years, and everyone else he knows, after being diagnosed with an inoperable heart condition. To her surprise, Pepper’s best model for love may be a clandestine romance between Caleb and Sergei, a porter and a doorman.
A goat kid loves to do karate! And he is sure to inspire young kids to try karate as well. Follow Goat as se goes through the major stances and karate moves, teaching readers to channel focus and strength through each pose. Karate Kid‘s simple, measured, and meditative text is complemented by playful yet instructive illustrations by Mark Chambers to teach youngsters how to get involved in karate–and to have fun while doing so, too.
Toby loves basking in the morning sun, snuggling in a lap in the afternoon, and toasting his tummy by the fireside at night, but somehow his warm spots never last. What Toby wants more than anything is to find something as warm as the sun that never fades or fizzles.
A successful environmental lawyer is forced to take himself to task when he realizes that everything about his work has betrayed his core beliefs. A high school English teacher asks her former high school love to take up her environmental cause. A transgender adolescent male raised by his grandparents struggles to excel in a world hostile to his kind. A French-Canadian political science professor finds himself left with a choice between his cherished
Rosa Parks, Mia Hamm, Nelson Mandela, and Amelia Earhart were all once adorable babies–and you can meet them (and more) in this follow-up to runaway hit Baby Feminists!
Collecting objects gives enormous pleasure to approximately one third of the population, providing such benefits as intellectual stimulation, the thrill of the chase, and leaving a legacy. On the other hand, the same pursuit can engender pain; for example, paying too much for an object, unknowingly buying a fake, or dealing with the frustrations of collection dispersal. Until recently, there was no objective way to enhance the positive (pleasure) aspects of collecting and minimize the negative (pain). Now, for the first time, scientific research in neuro- and behavioral economics gives us a way to turn this around. The contents of this book are cutting edge, unique and sure to get attention. Mueller breaks new ground in an area not previously explored. Her information is relevant not only for collectors, but also for colleges, and universities which teach collection management, plus museum staff who interact with collectors and dealers of objects desired by collectors. Heavily illustrated with ceramics from Mueller’s collection and packed with useful information, this book will become a required vital resource.
He was famous for reinventing the Broadway musical, creating a vernacular American ballet, pushing the art form to new boundaries where it had never gone before, integrating dance seamlessly with character, story and music, and as Associate Artistic Director, Ballet Master, and Co-Artistic Director, with George Balanchine, shaping the New York City Ballet with daring and brio for more than five decades through his often startling choreography in ballet’s classical idiom. The titanic choreographer, revealed in his own words—the closest we will get to a memoir/autobiography—from his never-before-published letters, journals, and diaries. Amanda Vaill, draws on the vast and closely held Robbins’ archives of his writings to give us a sense of hisrange as a thinker and artist, as well as a revealing glimpse into the mind and heart of this towering cultural giant.
Costanza Ansaldo, a half-Italian and half-American translator, is convinced that she has made peace with her childlessness. A year after the death of her husband, an eminent writer, she returns to the pensione in Florence where she spent many happy times in her youth, and there she meets, first, Andrew Weissman, an acutely sensitive seventeen-year-old, and, soon afterward, his father, Henry Weissman, a charismatic New York physician who specializes in—as it happens—reproductive medicine.With three lives each marked by heartbreak and absence—of a child, a parent, a partner, or a clear sense of identity—What is Missing offers Costanza, Andrew, and Henry the opportunity to make themselves whole when the triangle resumes three months later in New York, where the relationships among them turn and tighten with combustive effects that cut to the core of what it means to be a father, a son, and—for Costanza—a potential mother.